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As you can see in Figure 4 (below Figure 3), it goes into black and white.įigure 3. In the Color Adjustment panel for Correction 1, I go to Saturation, and drag the saturation down. I click the arrow for Correction 1, as shown in Figure 3 (below). Let’s say I want to make a color adjustment. If nothing is selected on my timeline, whatever clip the timeline cursor is over will actually be automatically be loaded into the Inspector. But as I mentioned before, we’ll concern ourselves primarily with the Color area in this tutorial.īefore we get started, it’s important to understand timeline cursor behavior in selections and how they work. So if you grab an Effect and drag it onto a clip, it will populate this Effects area. That one will populate with effects as you add them from the Effects palette.
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Right above the Color area you see there is one other section: the Effects section. The Effects and Color sections of the Final Cut Pro X Inspector. This is the area of the Inspector you’ll use the most.įigure 2. In this tutorial we’re going to focus on the Color area. To inspect the Inspector ( Figure 2, below), we’ll start from the top and work our way down. (Click on this image-or any screenshot in this article-to see a full-size version in a new window.) Working in the Color Area Click this icon to toggle the Inspector on or off. You can also show or hide the Inspector by using the keyboard shortcut Command+4.įigure 1.
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It looks like a bunch of sliders with knobs on it, and it toggles on and off when you click it ( Figure 1, below). To tell FCP X to show the Inspector, click on the icon second from the right in the panel just above the timeline. In this tutorial on Apple Final Cut Pro X we’re going to be inspecting the Inspector, a context-sensitive area of Final Cut Pro X that allows you to change settings of various filters and settings.